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The Promise: A Novel (Booker Prize Winner) Hardcover – April 6, 2021

4.1 4.1 out of 5 stars 4,920 ratings

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WINNER OF THE 2021 BOOKER PRIZE

NEW YORK TIMES EDITORS’ CHOICE

A modern family saga written in gorgeous prose by three-time Booker Prize-shortlisted author Damon Galgut.

Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life’s unfulfilled potential; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt.

Reunited by four funerals over three decades, the dwindling family reflects the atmosphere of its country—one of resentment, renewal, and, ultimately, hope. The Promise is an epic drama that unfurls against the unrelenting march of national history, sure to please current fans and attract many new ones.

“Simply: you must read it.”—Claire Messud, Harper’s Magazine

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From the Publisher

cLAIRE mESSUD HARPERS mAGAZINE
Anna Mundow Wall Street Journal
Rian Malan My Traitors heart

Editorial Reviews

Review

★ “Galgut extends his extraordinary corpus with a rich story of family, history, and grief.”—Kirkus Reviews (Starred Review)

“This tour-de-force unleashes a searing portrait of a damaged family and a troubled country in need of healing.”—Publishers Weekly (Starred Review)

“Galgut’s compelling new novel blends characters and history and intricate themes to reveal the devastating impacts of white privilege and institutional racism…The Promise is timely, relevant, and thematically significant.”—Booklist (Starred Review)

“The novel carries within it the literary spirits of Woolf and Joyce... To praise the novel in its particulars—for its seriousness; for its balance of formal freedom and elegance; for its humor, its precision, its human truth—seems inadequate and partial. Simply: you must read it.”—Claire Messud, Harper’s Magazine

“Galgut’s novel most closely resembles the work of predecessors like Woolf and Faulkner. The novel’s beautifully peculiar narration aerates and complicates this fatal family fable, and turns plot into deep meditation... Galgut is wonderfully, Woolfianly adept.”—James Wood,The New Yorker

“The plot is just the vehicle for a story that reveals the dark heart of South Africa’s recent and turbulent history; apartheid, conscription, peace and reconciliation are all glossed. In The Promise is a kind of fluid narrativity which means we, the reader, are literally swept along, while Galgut pays a very direct tribute to Joyce in the final cadenced pages. He’s done it with mastery, guile, and a generous amount of empathy. The Promise is a masterpiece.”—Independent.ie

“Time and again in Mr. Galgut’s fiction, South Africa materializes, vast, astonishing, resonant. And on this vastness, he stages intimate dramas that have the force of ancient myth.”—Anna Mundow, Wall Street Journal

The Promise offers all the virtues of realist fiction, plus some extras. A reader can shrug it all off and focus on the family’s story, or take pleasure in a brash writer’s narrative norm-breaking… In comparison [to Coetzee], Galgut is a gleeful satirist, mordantly skewering his characters’ fecklessness and hypocrisy.”—Rand Richards Cooper, The New York Times Book Review

“This bravura novel about the undoing of a bigoted South African family during apartheid deserves awards.”—The Guardian

“Riveting... Galgut’s most ambitious novel to date...The Promise is different from his other books. It’s more specific in its depictions of this starkly divided society, more direct in the way it approaches what has always been the country’s most significant political issue, its central injustice: the land and whom it belongs to... The Promise’s power lies in its measured, exacting, occasionally cruel depiction of the way the land question has irretrievably warped almost every character in the novel, whether or not they are capable of acknowledging it.”—New York Review of Books

“I would hope this turns up the volume from our side and that it’s heard more clearly on the other.”—Los Angeles Times

“This powerful, emotionally charged novel ... charts the wayward progress and mixed fortunes of Rachel's racist husband, Manie, and their three children through subsequent decades, while simultaneously depicting a nation undergoing tumultuous change.”—Minneapolis Star Tribune

“A family saga that moves from the 1980s to the present, it’s a complex, ambitious and brilliant work—one that provides Galgut’s fullest exploration yet of the poisonous legacy of apartheid.”—Financial Times (UK)

“A South African family saga bursting with life is one of the best books of the year.”—The Times (UK)

“A magisterial, heart-stopping novel.”—The Times Literary Supplement

The Promise by Damon Galgut is an exceptional book, beautifully written with characters you come to care deeply about.”—BBC

“The unusual narrative style balances a kind of Faulknerian exuberance with a Nabokovian precision and is a testament to the flourishing of the novel in the 21st century. The novel can best be summed up in the question: Does true justice exist in the world—and if so, what might that look like? This novel’s way of tackling this question makes it an accomplishment and truly deserving of its place on the shortlist.”—Chigozie Obioma, 2021 Booker Prize judge and author of The Fisherman and An Orchestra of Minorities

The Promise is the most important book of the last ten years.”—Edmund White, author of A Boy’s Own Story and A Saint from Texas

The Promise is close to a folk tale or the retelling of a myth about fate and loss... The story has an astonishing sense of depth, as though the characters were imagined over time, with slow tender care.”—Colm Tóibín, author of Brooklyn

The Promise’s power and immediacy merge to create an outstanding novel of its time.”—Joan Bakewell, author of All the Nice Girls and The Centre of the Bed

The Promise recalls the great achievements of modernism in its imagistic brilliance, its caustic disenchantment, its relentless research into the human. For formal innovation and moral seriousness, Damon Galgut is very nearly without peer. He is an essential writer.”—Garth Greenwell, author of Cleanness and What Belongs to You

“Both tender and brutal, The Promise brilliantly illuminates how both a small family and a large world endure—or don't endure. I will remember this beautifully devastating book, its enigmatic heroine, for a long time.”—Peter Cameron, author of What Happens at Night

“Galgut understands the complexities of the human heart which he reveals with the finest delicacy. This is an emotionally powerful and thrilling novel that haunts one long after it has been laid down.” —Gabriel Byrne, author of Walking With Ghosts and Pictures in My Head

“If possible, The Promise packs yet more of a punch than Galgut’s previous novels. Fuelled by sex and death, this is a South African Götterdämmerung charting a white family’s inexorable decline from significance and power. Its indignation at its morally bankrupt central characters is leavened with languid comedy, as though Galgut had collaborated with Tennessee Williams. The effect is utterly compelling.”—Patrick Gale, author of Notes from an Exhibition and A Place Called Winter

 “If there is a posterity, Galgut will be seen as one of the great literary triumphs of South Africa’s transition... in every way the equal of J. M. Coetzee.”—Rian Malan, author of My Traitor’s Heart

About the Author

Damon Galgut was born in Pretoria. His 2003 novel The Good Doctor won the Commonwealth Writers Prize (Africa Region) and was shortlisted for the Man Booker Prize. In a Strange Room (Europa, 2010) was also shortlisted for the Man Booker Prize. In 2021, Galgut won the Booker Prize for The Promise (Europa, 2021). In 2013, Galgut was inducted into the American Academy of Arts and Letters. He lives in Cape Town, South Africa.

Product details

  • Publisher ‏ : ‎ Europa Editions (April 6, 2021)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 256 pages
  • ISBN-10 ‏ : ‎ 1609456580
  • ISBN-13 ‏ : ‎ 978-1609456580
  • Item Weight ‏ : ‎ 14.1 ounces
  • Dimensions ‏ : ‎ 5.9 x 1.2 x 8.5 inches
  • Customer Reviews:
    4.1 4.1 out of 5 stars 4,920 ratings

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Customer reviews

4.1 out of 5 stars
4.1 out of 5
4,920 global ratings

Top reviews from the United States

Reviewed in the United States on June 16, 2022
This 2021 Booker Prize-winning novel is a tale of the Swarts, a white family in South Africa. This story takes place over several decades, framed around four different funerals.

This story is told in four long sections. I think it was best to read a full section in one sitting when possible, as there were not really good stopping points in the sections. Of the four sections, my favorite section was the one titled Astrid. That section shocked me the most, especially the death that occurred in it.

Something I have seen mentioned a lot in reviews of this novel is the writing style. The writing flows between many characters, including more minor characters in the overall scheme of the story. The writing forced me to slow down my reading more than how I normally read so that I could really focus on what was happening in the book. While I don’t think that is a bad thing, I do think that the writing kept me feeling a bit removed from the primary characters. I wanted to feel the emotions in the story deeper and delve more into the lives of the characters, especially Amor.

I can definitely understand how this novel won the Booker prize. It seems like a book that is worthy of discussion.
12 people found this helpful
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Reviewed in the United States on December 15, 2022
As this novel opens, a family has gathered after the death of the mother on a farm in South Africa. Anton Swart is the oldest child and is a soldier in the Army. Astrid, the middle child, is consumed with thoughts of her beauty and its effect on men while Amor, the youngest girl is living at boarding school. She has always been the quiet one in the family, the one who disappears onto the land for hours at a time. She is friends with the son of Salome, the family's maid and the woman who has helped raise her. The last time she was home she heard her mother extract a promise from her father that he would give Salome the deed to the house she lives in on the farm.

But that promise is not kept. The country is in turmoil and Manie, the father, believes that giving his servant property will only make things more uncertain. Those who came in and took the land from the natives are now uneasy, unsure what the future will hold and if those same natives will now take the land back from them. Amor can't believe that her father would renege on the promise he made to her mother on her deathbed.

Over the coming years, the family slowly dies off. At each death, Amor reminds those surviving of the promise but the house is never deeded over to Salome. This has the effect of removing Amor further and further from those she grew up with. She becomes a nurse in an HIV ward and spends her life serving others.

This book won the Booker Prize in 2021. It is a tale of white privilege and the interaction of what are seen as interlopers and those who were native to the land. This was the time of apartheid in South Aftica and Galgut as a South African native is uniquely situated to explore this theme. The family drifts apart over the years as each carves out a life that they think is best for them while the land endures and exists as always. Amor is a character whose selflessness the reader will remember long after the book is done. This book is recommended for literary fiction readers.
7 people found this helpful
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Reviewed in the United States on March 18, 2022
Much has been made of this novel's echoes of Woolf and Faulkner, and at the same time its relevance to today's issues. That's all true. And it's true that Galgut employs a unique, roving omniscient/close third person approach. But beyond that, this novel is a classic, traditional social and realist novel. Not only that, it's gripping and immersive. Galgut has the novelist-magician's wand in his hand, and (seemingly) effortlessly creates vivid characters and a palpable, immediate world. In fact, his narrative approach actually enriches that sense of full reality. This is novel-writing at its best. As a lifelong novel-reader, I'm heartened about the future of the novel when reading this.
Reviewed in the United States on October 1, 2022
The Promise is centered around the Swarts', a white, privileged family in South Africa over 3 decades. In the final days of her life, the matriarch, Rachel, insists that with her husband, Manie “Pa,” promise that he will gift to Salome, the Black woman who has worked for them most of her life, the house that she has been living in and the land that it is on, part of the Swart farm. He reluctantly agrees. The promise is overheard by their youngest daughter, Amor.

Over the next years, Amor advocates again and again for the land gift to occur and, in doing so, becomes alienated from her family. She leaves home as soon as she is of age. Each time Amor returns home she again advocates for the land to go to Salome, always unsuccessfully. The family continues to drift further apart with Amor ultimately has no contact with them.

A parallel in the book is the country’s turmoil surrounding apartheid and the regime’s continuously imposed state of emergency, the ending of apartheid and the World Cup being hosted in the country does fill its citizens, black or white, with a sense of communal pride. Yet, what follows is another corrupt government, increases in crime rates, dishonesty and a lack of integrity and once again, promises unfulfilled. “Apartheid has fallen, see, we die right next to each other now, in intimate proximity. It's just the living part we still have to work out.”

A powerful novel with interesting characters in a time of turmoil, both in the country and in the homes. The story is very slow for the first half and, having heard good things about it, I was determined to finish. It does move at a better pace in the second half and I am glad that I finished it. The ending is almost haunting. ⭐️⭐️⭐️ Winner of the 2021 Booker Prize.
5 people found this helpful
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Top reviews from other countries

Michael G. Francis
5.0 out of 5 stars This book is a very compelling novel.
Reviewed in Canada on March 4, 2022
I visited South Africa around the time at which the story is set. I drove through rural areas similar to where the farm is located. This has to affect the ease with which I read the book. It’s beautifully written. The characters are well drawn. The subtle as well as the flamboyant racism is uncomfortable yet instructive. Lives are wasted. I wondered ( and still wonder) whether it was apartheid that wasted lives or perhaps it was the times of change to which adjustment was difficult. The actual promise is an important element and the casualnesses of a commitment show how, in power relationships, different expectations and the failure to honour them can lead to results which are impossible to predict. I recommend this book. It stays with you for a long time.
2 people found this helpful
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Richard
4.0 out of 5 stars Requires patience and adaption
Reviewed in Canada on February 21, 2023
While first reading, I had a difficult time figuring out, who was speaking. It required a lot of detective work. I had to reread the first 40 pages 4 times before I finally started adapting to it’s reading style. Once you realize the personalities of each character, it then makes sense.

Once I’ve adapted, the read was very enjoyable, I find myself pondering and processing a lot while reading. The book touches upon many perspectives, more then half that gets brought up again. Within these perspectives, you see how cold and hard life can be in South Africa, but the life there is about being patient and adapt to have a good life.

The book writes itself while reading the second half, at that point you are glad for remembering all the little things said. Reacting to their reactions more and more strongly. Been awhile since a book made me cry in public, and visibly upset with the thoughts portrayed in this book.

Thinking of rereading for the fact I don’t need to figure who the speaker is anymore. Just means it gets better for the second read. Such as rereading one segment, realizing it was actually a different character speaking at that point. Chuckled at that. This book requires ‘No Distractions!’ When reading, you will find yourself rereading the last two or three paragraphs to figure out context and speaker.
susan s
5.0 out of 5 stars exquisite writing
Reviewed in Canada on February 24, 2023
Beautiful writing and memorable story telling. A winner on all fronts. I couldn’t put it down. Passing thru the sad history of S.A
One person found this helpful
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Stella
5.0 out of 5 stars truly a masterpiece!
Reviewed in Canada on September 7, 2022
Wonderful writing, an original, richly textured voice. Intriguing characters and an engaging story thread that meanders, yes but never loses you.
It is set in South Africa but it is not About South Africa. It is a universal story that transcends politics and history.
Gabriel Snyman
4.0 out of 5 stars A Tragic Tale of decline but with a glimmer of hope in integrity
Reviewed in Canada on November 14, 2021
This story is the rather morbid portrayal of an Afrikaner family struggling and failing to come to terms with the new dispensation in South Africa. A Mother dies. Having converted to the jewish faith, she is not allowed to be buried with her family which leads to contention. Also her promise to their black servant, that she will receive land and a house, casts a shadow of guilt, division and obligation on the family. The father flees into a distorted form of his religion, guided by shady spiritual mentors (Shady spiritual mentors seems to be a theme throughout. It is sometimes overdone, giving the impression that the writer has huge issues with religion and religious leaders and wants to settle a score). Three children inherit the family farm. Anton, the soul scarred embittered son who dreams big but follows through on nothing. Astrid the self centered daughter who turns into an immoral hedonist. Amor, the youngest neglected one who breaks out and build our own life as a nurse in Durban far away from the family drama. Astrid gets killed in a car high jacking and Anton commits suicide. Amor returns to the family farm as a middle aged woman and finds her peace in promise keeping and letting go.
The story seems to suggest that care and sharing are the only real option for a life of meaning amidst the pain and decline in South Africa.
4 people found this helpful
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