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Phaedra and Other Plays (Penguin Classics) Paperback – October 25, 2011
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For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Print length326 pages
- LanguageEnglish
- PublisherPenguin Classics
- Publication dateOctober 25, 2011
- Grade level12 and up
- Reading age18 years and up
- Dimensions7.7 x 5 x 0.9 inches
- ISBN-100140455515
- ISBN-13978-0140455519
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About the Author
R. Scott Smith is Associate Professor of Classics at the University of New Hampshire. His books include An Anthology of Classical Myth (as co-editor and translator) and The Unknown Socrates (as co-editor and contributor).
Product details
- Publisher : Penguin Classics; 1st edition (October 25, 2011)
- Language : English
- Paperback : 326 pages
- ISBN-10 : 0140455515
- ISBN-13 : 978-0140455519
- Reading age : 18 years and up
- Grade level : 12 and up
- Item Weight : 9.5 ounces
- Dimensions : 7.7 x 5 x 0.9 inches
- Best Sellers Rank: #141,815 in Books (See Top 100 in Books)
- Customer Reviews:
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All of the works reliably attributed to Seneca are retellings of Grecian tragedies. Admittedly, they lack some of the dramatic pathos the Greek tragedians displayed when these plays were performed as part of the Dionysian mysteries. But they do provide more evidence of the cultural reliance of Rome on Greece in the early days of the empire.
They also display themes of particular interest to Seneca. Prominent tropes are the exultation of the simple life, the need to rule with moderation and temperance and the temptation for dictators to abuse their power. As the tutor to Nero, these interests are not so surprising.
More of note is the transformation of tragedy from religious rite to entertainment for intellectuals. While Aeschylus’s characters are almost epitomes of the gods, Seneca dwells on the morals, thoughts and emotions of his very human central characters. Shakespeare is not so far away.
Though not necessary reading, those who enjoy Greek tragedy will mostly be delighted with the imitations of Seneca. As long as you do not view Western civilization as declining from Greece to Rome (as Nietzsche did for example) the transformation of Dionysian rite to reflection on humanity and its part in the larger world is largely successful and makes for engaging reading.
I like this item because it is a good read and something I should probably have since I am a theatre person.
I would reccomend this to all theatre people.