--- title: Muisca Civilization author: Mark Cartwright source: https://www.worldhistory.org/Muisca_Civilization/ format: machine-readable-alternate license: Creative Commons Attribution-NonCommercial-ShareAlike (https://creativecommons.org/licenses/by-nc-sa/4.0/) updated: 2024-03-27 --- # Muisca Civilization _Authored by [Mark Cartwright](https://www.worldhistory.org/user/markzcartwright/)_ The Muisca (or Chibcha) [civilization](https://www.worldhistory.org/civilization/) flourished in ancient Colombia between 600 and 1600 CE. Their territory encompassed what is now Bogotá and its environs and they have gained lasting fame as the origin of the [El Dorado](https://www.worldhistory.org/El_Dorado/) legend. The Muisca have also left a significant artistic legacy in their superb [gold](https://www.worldhistory.org/gold/) work, much of it unrivalled by any other Americas [culture](https://www.worldhistory.org/disambiguation/culture/). ### Society & [Religion](https://www.worldhistory.org/religion/) The Muisca lived in scattered settlements spread across the valleys of the high Andean plains in the east of modern-day Colombia. Important annual ceremonies related to religion, [agriculture](https://www.worldhistory.org/disambiguation/Agriculture/), and the ruling elite helped unite these various communities. We know that such ceremonies involved large numbers of participants and included singing, incense burning, and [music](https://www.worldhistory.org/disambiguation/Music/) from trumpets, drums, rattles, bells, and *ocarinas* (bulbous ceramic flutes). The communities were also linked by [trade](https://www.worldhistory.org/disambiguation/trade/) and there was even a movement of skilled craftsmen, especially goldsmiths, between Muisca [cities](https://www.worldhistory.org/city/). Founded by the legendary figure of Bochica, who came from the east and taught morality, laws, and [crafts](https://www.worldhistory.org/crafts/), the Muisca were ruled by chieftains aided by spiritual leaders. The Muisca controlled and defended their territory with such weapons as clubs, spear-throwers, arrows, and lances. Warriors also had protective helmets, armoured breast plates, and shields. The Muisca took trophy heads from their defeated enemies and they sometimes sacrificed captives to appease their gods. However, [warfare](https://www.worldhistory.org/warfare/) was highly ritualized and probably small-scale. There is ample evidence, for example, that commodities such as gold, shells, feathers, animal skins, tobacco, salt, coca leaves and other foodstuffs were traded with neighbouring Colombian cultures such as the Tolima and Quimbaya. Precious goods would have been reserved for the Muisca elite, as was hunting and meat. Idolizing the sun, the Muisca also had a special reverence for sacred objects and places such as particular rocks, caves, rivers, and lakes. At these sites they would leave votive offerings (*tunjos*) as they were considered a portal to other worlds. The most important Muisca gods were Zue the sun [god](https://www.worldhistory.org/God/) and Chia (alternatively spelt Chie) the moon goddess. We also know of Chibchacum, the patron of metalworkers and merchants. The most common type of offerings to the gods was foodstuffs along with typical *tunjo* of snakes and flat male, female, and animal figures rendered in gold alloy which were placed at sacred sites. Elite members of society could also be buried at such religiously significant places, first being dried and then wrapped in many layers of fine textiles, finally placed in a [tomb](https://www.worldhistory.org/tomb/) seated on their seat of office, a small stool or *tianga*, and surrounded by the precious goods they had enjoyed in life. [ ![Muisca Tunjo](https://www.worldhistory.org/img/r/p/750x750/2507.jpg?v=1703389743-1435732237) Muisca Tunjo Ignacio Perez (CC BY-NC-SA) ](https://www.worldhistory.org/image/2507/muisca-tunjo/ "Muisca Tunjo")### El Dorado The Muisca today are most famous for the legend of El Dorado or 'The Gilded One'. A Muisca ceremony held at [Lake Guatavita](https://www.worldhistory.org/El_Dorado/), actually only one of many kinds, involved a ruler being covered in gold dust who was then rowed on a raft to the centre of the lake where he leapt into the waters in an act of ritual cleansing and renewal. Muisca subjects would also throw precious objects into the lake during the ceremony, not only gold but also emeralds. The Spanish, on hearing this story, allowed their imagination and lust for gold to leap beyond the bounds of reality and soon a legend arose of a magnificent [city](https://www.worldhistory.org/city/) built with gold. Naturally, as it never existed in the first place, the city was never found and even the lake has stubbornly refused to reveal its secrets despite several costly attempts over the centuries. ### Muisca Art Figures in Muisca art are often transformational, for example, a man with elements of a bird which may represent the hallucinatory visions of shamans induced by the consumption of coca leaves or yopo (crushed seeds). Animals such as bats, felines, snakes, alligators, and amphibians were also popular subjects. The Muisca did not restrict their artistic output to gold but also created fine textiles which were of wool or cotton, and the latter could also be painted. Typical Muisca designs include spirals and other geometric, inter-locking forms. Also produced were ceramics (including clay figures) and carved semi-precious stones. The Muisca [women](https://www.worldhistory.org/disambiguation/women/) were not only capable weavers of cloth but were equally skilled in basket-weaving and feather-work. Most examples have been discovered in tombs and so escaped the avarice of the European invaders in the early 16th century CE and later tomb robbers. [ ![Muisca Double Eagle Pendant](https://www.worldhistory.org/img/r/p/500x600/3983.jpg?v=1664828403-1435732114) Muisca Double Eagle Pendant Metropolitan Museum of Art (Copyright) ](https://www.worldhistory.org/image/3983/muisca-double-eagle-pendant/ "Muisca Double Eagle Pendant")For the Muisca, gold was though the material of choice as it was valued for its lustrous and transformational properties and its association with the sun. It was not used as a currency, but rather as an artistic medium. Gold was mined from exposed veins and panned from mountain rivers. Gold and its alloy *tumbaga* (a mix of gold and [copper](https://www.worldhistory.org/copper/) with traces of [silver](https://www.worldhistory.org/Silver/)) were used to make *tunjos* such as figures and masks, coca containers (*poporos*) with lime dippers, and also exquisite jewellery - typically pectorals, earrings, and nose studs. The Muisca goldsmiths employed a wide range of techniques in their work such as lost-wax casting, depletion gilding which gives a two-tone finish, repoussè, soldering, granulation, and filigree. Gold was also made into thin sheets by hammering on round stone anvils or carved stone moulds using an oval hammer of stone or [metal](https://www.worldhistory.org/disambiguation/metal/). Perhaps one of the finest Muisca pieces, and solid evidence of the El Dorado ceremony, is a gold alloy raft on which stand figures, one of whom is larger and, wearing a headdress, is undoubtedly the 'Gilded One'. It was discovered in a cave near Bogotá and was a *tunjo*. The piece is 10 x 20 cm with the main figure being 10 cm high and it now resides, along with many of the finest surviving Muisca pieces, in the *Museo del Oro* of the Banco de la República, Bogotá, Colombia. #### Editorial Review This human-authored definition has been reviewed by our editorial team before publication to ensure accuracy, reliability and adherence to academic standards in accordance with our [editorial policy](https://www.worldhistory.org/static/editorial-policy/). ## Bibliography - [Elisenda Vila Llonch. *Beyond El Dorado.* British Museum Press, 2013.](https://www.worldhistory.org/books/0714125415/) - [Jones, D.M. *Mythology of the Incas.* Southwater, 2007.](https://www.worldhistory.org/books/1844763382/) - [Jones, D.M. *The Complete Illustrated History of the Inca Empire.* Lorenz Books, 2012.](https://www.worldhistory.org/books/075482358X/) - [Kubler, G. *The Art and Architecture of Ancient America, Third Edition.* Yale University Press, 1984.](https://www.worldhistory.org/books/0300053258/) ## About the Author Mark is WHE’s Publishing Director and has an MA in Political Philosophy (University of York). He is a full-time researcher, writer, historian and editor. Special interests include art, architecture and discovering the ideas that all civilizations share. ## Timeline - **600 CE - 1600 CE**: The [Muisca Civilization](https://www.worldhistory.org/Muisca_Civilization/) flourishes in northern South America. ## Cite This Work ### APA Cartwright, M. (2015, July 06). Muisca Civilization. *World History Encyclopedia*. [https://www.worldhistory.org/Muisca\_Civilization/](https://www.worldhistory.org/Muisca_Civilization/) ### Chicago Cartwright, Mark. "Muisca Civilization." *World History Encyclopedia*, July 06, 2015. [https://www.worldhistory.org/Muisca\_Civilization/](https://www.worldhistory.org/Muisca_Civilization/). ### MLA Cartwright, Mark. "Muisca Civilization." *World History Encyclopedia*, 06 Jul 2015, [https://www.worldhistory.org/Muisca\_Civilization/](https://www.worldhistory.org/Muisca_Civilization/). ## License & Copyright Submitted by [Mark Cartwright](https://www.worldhistory.org/user/markzcartwright/ "User Page: Mark Cartwright"), published on 06 July 2015. The copyright holder has published this content under the following license: [Creative Commons Attribution-NonCommercial-ShareAlike](https://creativecommons.org/licenses/by-nc-sa/4.0/deed.en). This license lets others remix, tweak, and build upon this content non-commercially, as long as they credit the author and license their new creations under the identical terms. When republishing on the web a hyperlink back to the original content source URL must be included. Please note that content linked from this page may have different licensing terms.