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Prometheus Bound and Other Plays: Prometheus Bound, The Suppliants, Seven Against Thebes, The Persians (Penguin Classics) by Philip Vellacott (1961-08-30) Mass Market Paperback – January 1, 1961

4.6 4.6 out of 5 stars 152 ratings


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Product details

  • ASIN ‏ : ‎ B01FGON1NW
  • Publisher ‏ : ‎ Penguin; Later Printing edition (January 1, 1961)
  • Item Weight ‏ : ‎ 1.01 pounds
  • Customer Reviews:
    4.6 4.6 out of 5 stars 152 ratings

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Aeschylus
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Aeschylus (/ˈiːskᵻləs/ or /ˈɛskᵻləs/; Greek: Αἰσχύλος Aiskhulos; Ancient Greek: [ai̯s.kʰý.los]; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian. He is also the first whose plays still survive; the others are Sophocles and Euripides. He is often described as the father of tragedy: critics and scholars' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater to allow conflict among them, whereas characters previously had interacted only with the chorus.

Only seven of his estimated seventy to ninety plays have survived, and there is a longstanding debate regarding his authorship of one of these plays, Prometheus Bound, which some believe his son Euphorion actually wrote. Fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work. He was probably the first dramatist to present plays as a trilogy; his Oresteia is the only ancient example of the form to have survived. At least one of his plays was influenced by the Persians' second invasion of Greece (480-479 BC). This work, The Persians, is the only surviving classical Greek tragedy concerned with contemporary events (very few of that kind were ever written), and a useful source of information about its period. The significance of war in Ancient Greek culture was so great that Aeschylus' epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright. Despite this, Aeschylus' work – particularly the Oresteia – is acclaimed by today's literary academics.

Bio from Wikipedia, the free encyclopedia. Photo by Unknown [Public domain], via Wikimedia Commons.

Customer reviews

4.6 out of 5 stars
4.6 out of 5
152 global ratings
Surprisingly Resonant
5 Stars
Surprisingly Resonant
The tragedies of Aeschylus resonate across the centuries that separate ancient Athens from the modern West.Aeschylus was, of course, part of the Greek cultural explosion that begat the beginnings of philosophy, democracy and Western literature. He wrote his tragedies at a time when Athens was becoming increasingly self-conscious of the difference between their city and the rest of the Mediterranean. Thus his plays revolve around questions such as the origins of civilization and the divine response, whether the gods care about human affairs and whether to empathize with a defeated enemy.Note that all of these themes continue to preoccupy Western civilizations and Aeschylus’s perspective, while not definitive, is still worth listening to.By exploring these themes in dramatic form, Aeschylus made his work intelligible in a way which the Histories of Herodotus is not. No one needs a particular knowledge of or interest in the classics to appreciate Aeschylean tragedy though, of course, classicists can provide insights to meanings not grasped by the casual reader.And, while the introduction to this edition is not particularly helpful in helping to understand Aeschylus, the translation is in easy to read twenty-first century English and makes for an enjoyable reading experience. Highly recommended to all.
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Top reviews from the United States

Reviewed in the United States on May 23, 2007
Ok, missed these in college, but I think you have to read these, and quite frankly, they're a little better with some age on you. Prometheus Bound is more interesting after you have had a chance to watch people (perhaps yourself) let their ego run away with them and get them in horrible trouble. Otherwise, at 18-22 Prometheus is an unmittigated hero, and that's less interesting. As a bonus, Prometheus was used as a model for Milton's Satan, and that Satan is pretty much the coolest Devil. If the Fonz had a big brother, wouldn't you want to meet him? Fantastic lines in this one, and the translation is excellent. "Do you think I quake and cower before these upstart gods?" Use it in your next salary negotiation.

The Suppliants is kind of a waste of time. It's obviously the introduction to the action, and not much to reflect on unless you know a woman in an unhappy marriage, and then you can supply them with the line, "I would rather meet my fate in a drawn noose/ Than give my flesh to a husband I abhor;/ Sooner let Death possess me!" That'll add zazz to any domestic argument.

Seven Against Thebes is fantastic and serves as the end to the Oedipus trilogy if you want to read it that way. Lots of great slams on the boastful and praise to the quiet effective types. It's required reading.

The Persians is great reading right now if you're not thrilled with the way America is headed under current leadership. It's about the most powerful empire in the world shattering its massive army in a war of folly. Superior wealth and technology (bridge of boats across the ocean) are squandered in the wastelands. It's from the point of view of the losers, and I can't help but think it's cautionary to the Greeks rather than celebratory. America should read it that way as well. It's eerily relevant. I read this passage this morning and it gave me the creeps:

(Mother of Xerxes's premonition concerning the fall of the Persian empire)

I saw an eagle fly for refuge to Apollo's hearth. I watched, speechless with terror; then a falcon came, and swooped with rushing wings, and with his talons clawed the eagle's head; it, unresisting, cowered there, offering itself to wounds.

Not good for us, not good at all. In any case, just about every page has some piece of wisdom on it, and the translation here puts the the thought with the perfect words. If you're enjoying Shakespeare or KJV right now but want a different flavor, give Aeschylus a shot. He has a strong grasp on the mind of the king and the burden of leadership, more so than WS. There's also a sophisticated view of how real democracy lends strength to a society, in a way that resonates with an adult brain that has become jaded on jingoism.
16 people found this helpful
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Reviewed in the United States on July 13, 2013
I've always been a fan of Greek literature, and Prometheus Bound and Other Plays doesn't disappoint me. It is a demonstration of Greek beliefs; the portrayal of a wise god doomed for his intentions to help humanity, the Danaids and their quest to find freedom from their cousins, a conflict between brothers announced by their father, and the failed Persian expedition in Greece. Aeschylus uses his plays almost as if they were fables, leading to reflection, although more complex and harder to interpret. These plays, like many others of Classical Greece, are examples of the birth of theater as a form of expression; a new way to criticize, opine, protest, etc. Theater is one of the great gifts we have inherited from the Ancient Greeks, and with this book we are exposed to that gift.
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Reviewed in the United States on September 28, 2012
It's hard to give an overall review on this, as it's a collection of plays from antiquity where most of the surrounding context is lost. Aeschylus' plays were usually in trilogies and with only one part of a trilogy intact, it makes it hard to appreciate certain aspects of these plays. You can tell that Aeschylus tried to push the envelope, and come up with new technique for what was a relatively new medium at the time. From reading the introduction by the translator Philip Velacott, I get the strong sense that these are just glimpses into what were very moving trilogies.

Prometheus Bound is an introduction to a trilogy of plays featuring the titular Prometheus first being chained to a rock, then explaining to various passersby his story. The initial violence of the opening scene is jarring, but the majority of the play itself is very subdued, with Prometheus telling of his crimes against Zeus but that he has no regrets of bringing humanity it's greatest gift and bears his punishment gladly. This sacrifice is a pretty common thread across Western myths, but it shines very powerfully here.

The Supplicants basically sets the stage for a deeper, more moving trilogy where the bulk of the story is lost. Because of this, the play suffers drastically, as it just provides the context for something with a lot more action. I feel like this was very uninteresting and plodded along too slowly to be very memorable - but then again, it's just a teaser for the murderous undertaking to follow.

Seven Against Thebes was the real standout gem for me. Since it's the last part and apex of a trilogy rife with murder and struggle, it doesn't really hold back. In this story the citadel of Cadmea is under attack by seven bloodthirsty warriors. It's up the heroic defenders to stave them off. Although all the action happens off-stage, things end in a bloody mess, with the two sons of Oedipus killing each other. As with most Greek plays the inclusion of the chorus bogs down a lot of the action, but you can tell that Aeschylus is really trying out new techniques here, with the chorus actually interacting with the characters more than the other plays. I really liked the descriptions of the attackers and quick follow up of the defenders, I'd love seeing this play on stage.

As for The Persians, not much of note actually happens. It's basically a retelling of the loss of the battle of Salamis being relayed to the Persians back home. It's interesting enough, and clearly meant as more of a comedy which points out the hubris in Xerxes' battle strategies, but I feel like this was the weakest of the bunch and lost interest quickly. As a play, I'm sure it was very entertaining with the funny costumes and constantly poking fun at the Persians, but it's a bit flat and dry to just read through here.

One quick note - Velacott's translation really feels fresh and interesting, and his introductions and various comments throughout really help build a pretty deep understanding of the context and untranslatable humor behind the scenes. As is usually the case with ancient works, the translation is very key to the appreciation of the style, and here the wit of the original shines through.
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Reviewed in the United States on February 3, 2017
Aeschylus is the first of the great writers of ancient tragedy in Athens. These are good translations.
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Reviewed in the United States on April 6, 2015
Greek tragedy in its prime.
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Top reviews from other countries

Steven McVicar
5.0 out of 5 stars Epic!
Reviewed in the United Kingdom on January 29, 2023
Harken thee unto the mighty boom! The lighting god sends utter doom! In deepest sorrow, fearsome darkness and agony unending, thus wilt thou suffer Zeus’ tyranny unbending!
Jessica Murray
5.0 out of 5 stars Useful text for English Students
Reviewed in the United Kingdom on June 11, 2013
I bought this book because my course demanded it, but I've actually found myself really enjoying the content! The layout is clear and easy to follow. There is a short introduction and a short bank of notes at the back. Being a Penguin product, the book itself is very good quality and arrived on time and in great condition. This really is the bare text though- if you want additional critical reading, context or commentary you might need other books as well.
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skywalker
4.0 out of 5 stars Maybe not the most mainstream of Aeschylus' plays (or the ...
Reviewed in the United Kingdom on February 28, 2015
Maybe not the most mainstream of Aeschylus' plays (or the most lengthy) but each of these are well worth a read. The translation is pukka and if Aeschylus isn't nodding up in Olympus then I'm David Cameron.
Bey123
5.0 out of 5 stars ... in terms of beauty of the language I have enjoyed it very much
Reviewed in the United Kingdom on October 24, 2014
The translations of Greek drama I have read so far (very few admittedly) by Philip Vellacott are excellent- in terms of how accurate I can't say either way (I don't speak Greek) but in terms of beauty of the language I have enjoyed it very much.
CHRISTOPHER TRUMAN
5.0 out of 5 stars Stunning poetry
Reviewed in the United Kingdom on August 27, 2020
the dawn of civilised time is evoked